Books read in February of 2025:
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+= book I have read before, but not this reprint/edition/translation
Currently Reading:
The Online Journal of James Champagne
Books read in February of 2025:
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Books read in January of 2025:
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Recently I decided to update my Top 100 Albums of All-time list (mainly rock/pop, not counting soundtracks, Classical, and so on). Albums with an asterisk indicate new additions
Yesterday I finished work on my third novel, PULP FIN-DE-SIÈCLE. For those keeping track of such things, it’s literally been almost nine years since I finished the first draft of my second novel HARLEM SMOKE (on Jan. 20, 2016); of course, in that span of time, I did do a few other books. This new one began life as a short story/novella that I wrote back in 2019 (back then, it was called THE POISONED CITY). Over the last five years, I kept adding bits and pieces to it on a periodic basis, and it kept expanding and getting longer and longer, eventually more than doubling its original size. Finally, last year I decided to just start thinking of it as a short novel. At over 40,000 words, it’s slightly shorter than, say, something like THE GREAT GATSBY. But I think every author should have at least one short novel in their bibliography: Camus had THE STRANGER, Orwell had ANIMAL FARM, Steinbeck had THE PEARL and OF MICE AND MEN, Conrad had HEART OF DARKNESS, and so on. But I should stress that I view it not as a novella, but as either a short novel or just a plain novel period!
The project can be (tongue-in-cheek) described as MONSIEUR DE PHOCAS meets THE CANTERBURY TALES, and is kind of a tribute to all of the 19th-century French Decadent authors I’ve been reading and enjoying over the last 20 years or so (in particular, Jean Lorrain, J.-K. Huysmans, and Leon Bloy). It’s set over a period of 24 hours on an April day in Paris in 1893, and is divided into seven 10-15 page sections, each of which revolve around a stock character from the books and stories of that era: a Priest, a Symbolist Artist, a Dandy, an Actress, a Prostitute, a Diabolist/Occultist, and a Decadent Novelist . . . but all of the characters drift in and out of each other’s sections/stories, hence why I somewhat jokingly gave the book the current title it has. Of course, even though it’s something of a mosaic novel, the true main character of the book is Paris itself, with its churches and cafés, its opera houses and artist studios, and so on and so forth.Books read in December of 2024:
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Capsule reviews of albums released in 2024 that I also purchased/listened to this year (in order of release, and not including film soundtracks):
MASTERS OF DOOM, by David Kushner, is a very interesting and captivating book that was first published in 2003 (I think I myself got it around 2007 or thereabouts). It covers not only the making of DOOM, but also the story of id Software itself, and does such a good job depicting what that company was like in the 90s that John Romero himself put off publishing his own memoir for the longest time, because he thought Kushner had done such a thorough job at it (his memoir, DOOM GUY, finally came out last year, and I highly recommend that book as well).
Another book related to DOOM that I greatly enjoy is Dan Pinchbeck’s Scarydarkfast. Although put out by an academic publisher (the
University of Michigan Press), and thus more scholarly in tone than Kushner's book, Pinchbeck’s book is extremely readable, and doesn't get super-bogged down in tedious/impenetrable academic-speak. I like
how he adroitly sums the game up here: “In academic terms, DOOM is based around the core activity of lining up objects with
the center of the screen and removing them by pressing the shoot button. You
start in a complex environment, and you simplify it by removing agents and
pressing all the buttons there are to press and collecting all the objects
there are to collect . . . the game is all about simplifying the environment,
with extreme prejudice.” In a number of brief chapters he traces the development
of the First Person Shooter genre, looks at the games id Software created that
paved the way for DOOM, briefly gives
a history lesson of how id came to be, before launching into some slightly
technical chapters analyzing the game’s development process, the DOOM engine (id Tech 1), the game’s code
and integers, the game’s soundtrack, and how it was received by the press and
public. Later chapters talk about the DOOM
modding and multiplayer scenes, along with its ports and sequels (a lot of
attention is especially devoted to DOOM 3),
but to me, the meat of the book are the three long chapters in the middle, a
“Shot-by-Shot” walkthrough/analysis of the game’s three episodes (though sadly, the underrated Episode Four only gets a brief mention). A lot of the things and little details about the game that impressed me (like the "Crucifixion Room" in the "House of Pain" mission) were things that Pinchbeck was impressed with as well.
For the record, my Top Three Missions from ULTIMATE DOOM are "Deimos Lab" (E2M4), "House of Pain" (E3M4), and "Gateway to Limbo" (E3M7). I'm also a big fan of "Against Thee Wickedly" (E4M6).
HONORABLE MENTION ENTRY: WORD FREAK by Stefan Fatsis
This is a book that, unlike the others I've covered in this series, I don't take into the bathroom with me on an annual basis . . . more like a biennial one, you could say. Despite my love for words, I'm a lousy SCRABBLE player and am not especially a fan of the game, but Fatsis' book is a fun read, and his depictions of some of the eccentric personalities found among the competitive SCRABBLE players is often very amusing to behold.
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Well, I guess this is the final entry for this era of my Bathroom Reads series. Obviously, should I add other books to my bathroom rotation roster in the future, there will be additional entries to cover those. Having finally read many of the books covered in this series "for real/officially" in 2024, I think in 2025 I might give some of those old books a break and maybe add some new blood to the roster.
Books read in November of 2024:
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