Yesterday I finished work on my third novel, PULP FIN-DE-SIÈCLE. For those keeping track of such things, it’s literally been almost nine years since I finished the first draft of my second novel HARLEM SMOKE (on Jan. 20, 2016); of course, in that span of time, I did do a few other books. This new one began life as a short story/novella that I wrote back in 2019 (back then, it was called THE POISONED CITY). Over the last five years, I kept adding bits and pieces to it on a periodic basis, and it kept expanding and getting longer and longer, eventually more than doubling its original size. Finally, last year I decided to just start thinking of it as a short novel. At over 40,000 words, it’s slightly shorter than, say, something like THE GREAT GATSBY. But I think every author should have at least one short novel in their bibliography: Camus had THE STRANGER, Orwell had ANIMAL FARM, Steinbeck had THE PEARL and OF MICE AND MEN, Conrad had HEART OF DARKNESS, and so on. But I should stress that I view it not as a novella, but as either a short novel or just a plain novel period!
The project can be (tongue-in-cheek) described as MONSIEUR DE PHOCAS meets THE CANTERBURY TALES, and is kind of a tribute to all of the 19th-century French Decadent authors I’ve been reading and enjoying over the last 20 years or so (in particular, Jean Lorrain, J.-K. Huysmans, and Leon Bloy). It’s set over a period of 24 hours on an April day in Paris in 1893, and is divided into seven 10-15 page sections, each of which revolve around a stock character from the books and stories of that era: a Priest, a Symbolist Artist, a Dandy, an Actress, a Prostitute, a Diabolist/Occultist, and a Decadent Novelist . . . but all of the characters drift in and out of each other’s sections/stories, hence why I somewhat jokingly gave the book the current title it has. Of course, even though it’s something of a mosaic novel, the true main character of the book is Paris itself, with its churches and cafés, its opera houses and artist studios, and so on and so forth.The Onyx Glossary
The Online Journal of James Champagne
Friday, January 17, 2025
Monday, December 30, 2024
2024 Reading List Monthly Update: December (Finale)
Books read in December of 2024:
-
+= book I have read before, but not this reprint/edition/translation
Currently Reading:
"The Medieval Scriptorium: Making Books in the Middle Ages" (Sara J. Charles)
Saturday, December 28, 2024
2024 Music Capsule Reviews
Capsule reviews of albums released in 2024 that I also purchased/listened to this year (in order of release, and not including film soundtracks):
Tuesday, December 17, 2024
Bathroom Reads #18 (Finale): DOOM Books + Honorable Mention: WORD FREAKS
MASTERS OF DOOM, by David Kushner, is a very interesting and captivating book that was first published in 2003 (I think I myself got it around 2007 or thereabouts). It covers not only the making of DOOM, but also the story of id Software itself, and does such a good job depicting what that company was like in the 90s that John Romero himself put off publishing his own memoir for the longest time, because he thought Kushner had done such a thorough job at it (his memoir, DOOM GUY, finally came out last year, and I highly recommend that book as well).
Another book related to DOOM that I greatly enjoy is Dan Pinchbeck’s Scarydarkfast. Although put out by an academic publisher (the
University of Michigan Press), and thus more scholarly in tone than Kushner's book, Pinchbeck’s book is extremely readable, and doesn't get super-bogged down in tedious/impenetrable academic-speak. I like
how he adroitly sums the game up here: “In academic terms, DOOM is based around the core activity of lining up objects with
the center of the screen and removing them by pressing the shoot button. You
start in a complex environment, and you simplify it by removing agents and
pressing all the buttons there are to press and collecting all the objects
there are to collect . . . the game is all about simplifying the environment,
with extreme prejudice.” In a number of brief chapters he traces the development
of the First Person Shooter genre, looks at the games id Software created that
paved the way for DOOM, briefly gives
a history lesson of how id came to be, before launching into some slightly
technical chapters analyzing the game’s development process, the DOOM engine (id Tech 1), the game’s code
and integers, the game’s soundtrack, and how it was received by the press and
public. Later chapters talk about the DOOM
modding and multiplayer scenes, along with its ports and sequels (a lot of
attention is especially devoted to DOOM 3),
but to me, the meat of the book are the three long chapters in the middle, a
“Shot-by-Shot” walkthrough/analysis of the game’s three episodes (though sadly, the underrated Episode Four only gets a brief mention). A lot of the things and little details about the game that impressed me (like the "Crucifixion Room" in the "House of Pain" mission) were things that Pinchbeck was impressed with as well.
For the record, my Top Three Missions from ULTIMATE DOOM are "Deimos Lab" (E2M4), "House of Pain" (E3M4), and "Gateway to Limbo" (E3M7). I'm also a big fan of "Against Thee Wickedly" (E4M6).
HONORABLE MENTION ENTRY: WORD FREAK by Stefan Fatsis
This is a book that, unlike the others I've covered in this series, I don't take into the bathroom with me on an annual basis . . . more like a biennial one, you could say. Despite my love for words, I'm a lousy SCRABBLE player and am not especially a fan of the game, but Fatsis' book is a fun read, and his depictions of some of the eccentric personalities found among the competitive SCRABBLE players is often very amusing to behold.
* * * *
Well, I guess this is the final entry for this era of my Bathroom Reads series. Obviously, should I add other books to my bathroom rotation roster in the future, there will be additional entries to cover those. Having finally read many of the books covered in this series "for real/officially" in 2024, I think in 2025 I might give some of those old books a break and maybe add some new blood to the roster.
Tuesday, December 3, 2024
Bathroom Reads #17: LAbyrinth by Randall Sullivan
Despite the fact I was the first person in my household to purchase a rap CD (Fear of a Black Planet by Public Enemy, which I still rank in my Top 100 Favorite Albums), I've never been much of a rap/hip hop guy. Which is not to say that I'm one of those people who instantly dismiss the genre with a kneejerk "all rap sucks!" response (my diplomatic answer is usually along the lines of, 'I'm not going to say this is bad, just that I'm obviously not its target audience," which, incidentally, is also my usual response to most country music). I guess the way I feel about rap/hip hop is the same way that I feel about most "classic rock," which is to say, it's been around for so long now that it's pretty much a dinosaur genre (though inexplicably there are still people out there who prefer to remain thinking that it's still fresh/hip/cutting edge or whatever). Of course, like with most musical genres, I can still find certain acts or albums associated with the term to be enjoyable: aside from Public Enemy and some of the other groups linked to the "golden age of hip hop," there are a few modern acts I like as well, such as Danny Brown and Nicki Minaj. And when I was writing my novel Harlem Smoke I spent a lot of time listening to/researching many different horrorcore acts (like Insane Poetry), and I came to like certain aspects of that subgenre.
The subject of today's post, LAbyrinth by Randall Sullivan (2002), is obviously linked to rap and hip hop music, what with its focus on Death Row Records, and the (still unsolved) murders of Tupac Shakur and Notorious B.I.G. (which I vaguely recall hearing about during my high school days, but most of which went over my head because I wasn't really into rap culture at that time). I only have one song by Tupac on my computer ("I Just Don't Give A Fuck," which I got from the Grand Theft Auto: San Andreas soundtrack box set), and one by Biggie ("Hypnotize"), but I still found this book interesting nonetheless. If memory serves I got it shortly after I began working at Barnes & Noble in 2004, which coincidentally was also the year that the video game Grand Theft Auto: San Andreas was released, so obviously the subject matter was of some interest to me at that time in my life. Sullivan does a good job of summarizing rap and hip hop culture, not only how it originated but also how it developed into "gangsta rap" in the late 1980s, and the same can be said to his history of the various L.A. street gangs. Aside from focusing on the murder of the two rappers and the possible links to Death Row Records, the book is also a devastating critique of the Los Angeles Police Department, which in the 90s was plagued with scandals, torn apart by racial conflicts, and incredibly corrupt. The main star of the book is the homicide detective Russell Poole, who comes off as a dedicated investigator obsessed with following the truth/clues no matter where they led . . . but when he discovers that certain Black LAPD cops are also working for Death Row Records, and becoming more criminal than the crooks they catch, he finds his investigation stymied both by his superiors (who are terrified of racial scandals) and by the liberal Los Angeles media (the line of text from the book which best sums up the story is this quote from Jan Golab: "You can't tell a story in which the good guy is a white detective and the villains are all black. That isn't allowed, even if it's true.")
I guess this book inspired a film called CITY OF LIES, which I have not seen yet, but plan to next year.
Saturday, November 30, 2024
2024 Reading List Monthly Update: November
Books read in November of 2024:
-
+= book I have read before, but not this reprint/edition/translation
Currently Reading:
"The Epic of Gilgamesh" (Anonymous)
Tuesday, November 19, 2024
Bathroom Reads #16: THERE AND BACK AGAIN by Sean Astin + Joe Layden
I actually don't have all that much to say about this one, other than it's mainly an actor's memoir (despite the fact Astin was only in his early thirties when he wrote it) dealing briefly with his early years in a bit of detail, but which is mainly concerned with his time spent during the production of the Lord of the Rings film trilogy. It must be said that reading this book, one does not walk away with a very good impression of Astin as a person, as he comes off as very needy, self-centered, selfish, always needs to be the center of attention, and so on and so forth (he also does a lot of backhanded complimenting, where he'll talk about a person and praise them at length, then proceed to whine and complain about them). Basically, in some ways he embodies almost the exact opposite of all of the good traits exhibited by his character Samwise Gamgee in the movies. Which makes him, I suppose, a pretty good actor! I won't lie, for the longest time this book kind of soured me towards him, though he somewhat redeemed himself with an incredible performance in the second season of Stranger Things. . . perhaps the lean years after the LOTR films humbled him somewhat.
Monday, November 4, 2024
Top Ten Lists (Updated November 4, 2024)
Top 30 Bands/Musical Acts (in no order)
First Tier (1-10)
Siouxsie & The Banshees + Nine Inch Nails (tied
for first)
Lady Gaga
Joy Division
Depeche Mode
Fleetwood Mac (+ Lindsey Buckingham solo)
Sting (solo + The Police)
Emerson, Lake & Palmer
Throbbing Gristle
Ministry
Garbage
Second Tier (11-20)
Bauhaus
Dead Can Dance
The Cure
Coil
Current 93
Whitehouse (+ Cut Hands & Consumer
Electronics)
Nico
Suzanne Vega
Sonic Youth
Yes
Third Tier (21-30)
Wire
Madonna
Kate Bush
Skinny Puppy
Chappell Roan
Keane
Ladytron
Aphex Twin
Manic Street Preachers
Harry Styles
Top 10 Favorite Albums (in no order)
A Kiss in the Dreamhouse (Siouxsie & The
Banshees) 1982
The Downward Spiral (Nine Inch Nails) 1994
The Marble Index (Nico) 1968
The Holy Bible (Manic Street Preachers) 1994
Dead Can Dance (Dead Can Dance) 1984
Tusk (Fleetwood Mac) 1979
A Bell Is A Cup... (Wire) 1988
Selected Ambient Works 85-92 (Aphex Twin)
1992
Horse Rotorvator (Coil) 1986
Closer (Joy Division) 1980
Top 20 Favorite Fiction Writers (in no order)
First Tier (1-10)
H.P. Lovecraft
J.-K. Huysmans
Stephen R. Donaldson
Bret Easton Ellis
Dennis Cooper
Yukio Mishima
Meredith Gran
J.G. Ballard
Thomas Ligotti
Cormac McCarthy
Second Tier (11-20)
Thomas Pynchon
John Bellairs
Carson McCullers
William Shakespeare
Clark Ashton Smith
Grant Morrison
William S. Burroughs
Arthur Machen
Yasunari Kawabata
Tom Clancy
Top 10 Favorite Novels (in no order)
La-bas (J.-K. Huysmans)
Guide (Dennis Cooper)
American Psycho (Bret Eason Ellis)
Sea of Fertility (Yukio Mishima)
The Gap Cycle (Stephen R. Donaldson)
Blood Meridian (Cormac McCarthy)
Alice's Adventures in Wonderland/Through the
Looking-Glass (Lewis Carroll)
The Fountainhead (Ayn Rand)
The Night Land (William Hope Hodgson)
The White Plague (Frank Herbert)
Top 20 Favorite TV Shows (in no order)
First Tier (1-10)
Friends
Game of Thrones
Seinfeld
Frasier
The Office (American version)
Family Matters
Saved By The Bell (original series)
Castlevania
Monk
Zorro (1990-1993 series)
Second Tier (11-20)
True Detective (season 1 only)
Twin Peaks
Fawlty Towers
The Vicar of Dibley
Blackadder
Mr. Bean
Hannibal
Death Note (anime)
Batman: The Animated Series
How I Met Your Mother
Top Ten Favorite Movies (in no order)
Reality Bites (1994)
Patriot Games (1992)
Jackie Brown (1997)
The Royal Tenenbaums (2001)
A Serious Man (2009)
Jurassic Park (1993)
House of Gucci (2021)
Star Wars: Return Of The Jedi (1983)
Les Miserables (2012)
First Reformed (2017)
Top 10 Favorite Video/Computer Games (in no
order)
Deus Ex (2000)
Thief Gold (1999)
System Shock 2 (1999)
Doom (1993)
Final Fantasy VI (1994)
Vampire: The Masquerade: Bloodlines (2004)
Sid Meier's Civilization VI (2016)
Perfect Tides (2022)
Shenmue (whole series)
Pentiment (2022)
(* Honorable Mentions: Ultima VII- 1992 + Elder Scrolls: Skyrim- 2011)
Misc. Favorites
Favorite number(s): 28, 88 (tie)
Favorite holiday: Christmas (2nd place: Halloween)
Favorite animal: cat
Favorite bird(s): crow, owl, hummingbird
Favorite sea creature: sharks (especially Great White Sharks and the Hammerhead shark)
Favorite stuffed animal growing up: Shark Puppet
Favorite food: Campbell's Chicken Noodle Soup + rice, & Chicken-flavored Rice-A-Roni
Favorite body part: the eye
Favorite card game: Hearts
Favorite board game: Clue
Favorite Clue character: Mrs. Peacock
Favorite city: Providence, Rhode Island
Favorite planet: Saturn
Favorite Zodiac sign: Gemini
Favorite subculture: Goth
Favorite artist: Andy Warhol
Favorite movie director: Quentin Tarantino, Wes Anderson (tie)
Favorite living actor: Sean Bean
Favorite living actress: Winona Ryder
Favorite comic strip(s):, Doonesbury (1st), Calvin & Hobbes (2nd)
Favorite Game of Thrones character: Qyburn
Favorite sport: Basketball
Favorite basketball player: John Stockton
Favorite Beatles song(s): Nowhere Man, Paperback Writer (tie)
Favorite electronic music program: Voyetra Digital Orchestrator
Favorite architectural style: Brutalism
Favorite art movement(s): Surrealism, Symbolist, Pop
Favorite carnivorous plant: Nepenthes lowii
Favorite comic book superhero: Batman
Favorite Batman villain(s): Dr. Simon Hurt, The Scarecrow, Poison Ivy, The Mad Hatter
Favorite comic book writer: Grant Morrison (2nd place: Alan Moore)
Favorite science fiction book series: The Gap Cycle (Stephen R. Donaldson)
Favorite movie monster: Godzilla
Favorite Doom monster: Cacodemon
Favorite DOOM levels: E2M4 (Deimos Lab), E3M4 (House of Pain), E3M7 (Limbo)
Favorite Record Label: Mute
Favorite Broadway musical: Les Miserables
Favorite Shakespeare play: Macbeth
Favorite Star Wars character: Momaw Nadon
Favorite Mario Kart racer: Toad
Favorite Warhol Superstar: Edie Sedgwick
Favorite old school Hollywood star: Audrey Hepburn
Favorite Hogwarts House: Slytherin
Favorite Harry Potter character: Luna Lovegood
Favorite Ninja Turtle: Leonardo
Favorite Disney Villain: Scar (The Lion King)
Favorite horror writer: H.P. Lovecraft, Thomas Ligotti (a close second)
Favorite Cthulhu Mythos monster: Cthulhu
Favorite book(s) of the Bible: Revelations, Ecclesiastes (tie)
Favorite Egyptian deity: Bast
Favorite Ancient culture: Ancient Egypt
Favorite Historical Time Period: The Middle Ages