Wednesday, August 31, 2022

2022 Reading List Monthly Update: August

 Books read in August of 2022:

"Instagrimoire//Fax Screen Sect: The Cancellation of Graham Greene, Volume 1: Tales from Orthographic Oceans, or: A Room with a View (Self-Portrait in a Concave Mirror with Interior Landscape & Key to the Scriptures)" (Justin Isis) 8-5-22
"Octopus Pie Volume 1" (Meredith Gran) 8-7-22
"Life in a Medieval Castle" (Joseph and Frances Gies) 8-9-22
"Berserk Deluxe Edition 7" (Kentaro Miura) 8-14-22
"Life in the Medieval Cloister" (Julie Kerr) 8-19-22
"Berserk Deluxe Edition 8" (Kentaro Miura) 8-26-22
"En ménage" (J.-K. Huysmans) 8-30-22
"Berserk Deluxe Edition 9" (Kentaro Miura) 8-31-22
-

2022 Reading List Total:

-

1. "Kingdom Come" (J.G. Ballard) 1-6-22
2. "Dune Messiah" (Frank Herbert) 1-21-22
3. "Nana" (Émile Zola) 1-24-22
4. "Introduction to Jungian Psychology" (C.G. Jung) 2-7-22
5. "Schoolgirl" (Osamu Dazai) 2-21-22
6. "Powers and Thrones: A New History of the Middle Ages" (Dan Jones) 2-25-22
7. "Rough" (Callum Leckie and Sailor Stephens) 2-27-22
8. "The Ironic Skeletons" (Colby Smith) 3-1-22
9. "Paradoxes From Hell" (Thomas Ligotti) 3-2-22
10. "Agitation" (Alexandrine Ogundimu) 3-3-22
11. "A Most Peculiar Book: The Inherent Strangeness of the Bible" (Kristin Swenson) 3-7-22
12. "The Stones of Muncaster Cathedral" (Robert Westall) 3-12-22
13. "Beyond the Mountains of Madness" (Brian Stableford) 3-18-22
14. "The Texas Chainsaw Massacre" (Josiah Morgan) 3-21-22
15. "The Topiary Cat: A Bushy Tale" (Richard Saunders) 3-22-22
16. "The Orchard Keeper" (Cormac McCarthy) 3-29-22
17. "A Shakespeare Motley: An Illustrated Compendium" (The Shakespeare Birthplace Trust) 4-5-22
18. "The Green Man" (Kingsley Amis) 4-10-22
19. "Berserk Deluxe Edition 1" (Kentaro Miura) 4-18-22
20. "Outer Dark" (Cormac McCarthy) 4-20-22 *
21. "When the Train Runs out of Tracks" (Tom Champagne) 4-22-22
22. "Heqet" (Brendan Connell) 4-23-22
23. "Berserk Deluxe Edition 2" (Kentaro Miura) 4-28-22
24. "Child of God" (Cormac McCarthy) 5-8-22 *
25. "The Temple of Gnide" (Montesquieu) 5-10-22
26. "Berserk Deluxe Edition 3" (Kentaro Miura) 5-13-22
27. "Road: a Postlapsarian Comedy" (Josiah Morgan) 5-16-22
28. "Zealous Immaculate" (Audrey Szasz) 5-20-22
29. "Berserk Deluxe Edition 4"(Kentaro Miura) 5-27-22
30. "Whimsical Tales" (Jean Printemps) 5-30-22
31. "The Assassins and Other Stories" (Marcel Schwob) 6-4-22
32. "Suttree" (Cormac McCarthy) 6-18-22
33. "Lazy Eyes" (James Nulick) 6-23-22\
34. "Berserk Deluxe Edition 5" (Kentaro Miura) 6-23-22
35. "The Driver's Seat" (Muriel Spark) 6-26-22
36. "Catholica: The Visual Culture of Catholicism" (Suzanna Ivanic) 6-28-22
37. “Hieroglyphics and Other Essays” (Arthur Machen/edited by S.T. Joshi) 7-10-22 
38. “Sanctuary” (William Faulkner) 7-10-22 
39. “Stricture” (Isabelle Nicou) 7-15-22 
40. “Blood Meridian, or the Evening Redness in the West” (Cormac McCarthy) 7-18-22 *
41. “Berserk Deluxe 6” (Kentaro Miura) 7-24-22 
42. “The Liminal Zone” (Junji Ito) 7-25-22 
43. “The Time Traveller’s Guide to Medieval England” (Ian Mortimer) 7-28-22 
44. “A Medieval Book of Seasons” (Marie Collins & Virginia Davis) 7-29-22  
45. "Instagrimoire//Fax Screen Sect: The Cancellation of Graham Greene, Volume 1: Tales from Orthographic Oceans, or: A Room with a View (Self-Portrait in a Concave Mirror with Interior Landscape & Key to the Scriptures)" (Justin Isis) 8-5-22
46. "Octopus Pie Volume 1" (Meredith Gran) 8-7-22
47. "Life in a Medieval Castle" (Joseph and Frances Gies) 8-9-22
48. "Berserk Deluxe Edition 7" (Kentaro Miura) 8-14-22
49. "Life in the Medieval Cloister" (Julie Kerr) 8-19-22
50. "Berserk Deluxe Edition 8" (Kentaro Miura) 8-26-22
51. "En ménage" (J.-K. Huysmans) 8-30-22
52. "Berserk Deluxe Edition 9" (Kentaro Miura) 8-31-22

*= book I have read at least once in the past
+= book I have read before, but not this reprint/edition/translation

Currently Reading: 

Friday, August 12, 2022

Memories Dreams Reflections 4: Happy House

It was in 1989, when I was in the 4th grade and a student at Bernon Heights Elementary School, that my family and I moved to a new house, also in the Bernon Heights area. Bernon Heights Elementary School was located in a neighborhood named Bernon Heights, and this was one of the nicer neighborhoods in the city of Woonsocket, Rhode Island.

Ah, Woonsocket . . . the city I was born in, the city I grew up in. Woonsocket is a very old city (it was incorporated back in 1888), and it is located in northern Rhode Island, right near the borderline that divides the state from Massachusetts. It has a population of over 41,000 people, most of them being (like myself) of French-Canadian ancestry, for towards the end of the 19th century Woonsocket had been a bastion for French-Canadian immigrants looking for a new home: towards the start of the 20th century so many French-Canadians had lived in the city that it had been nicknamed “Little Quebec” (at that point in time, more people living there had spoken French than English). Although the city has modernized in recent years (a renovation that actually began in the 1970’s), I still see it as an old city made up of abandoned textile mills, crumbling cemeteries, and Gothic churches. It also served as the real-life inspiration for the fictional city of Thundermist that sometimes appears in my books (most prominently in my second collection Autopsy of an Eldritch City). 

To get to the school itself, first you passed through a small parking lot located atop a hill (this parking lot was almost directly across the street from the more upscale and prestigious Mount Saint Charles Academy). The parents would drop their children off at the top of this hill, and we’d then walk all the way down to the bottom. At the bottom of the hill was a large parking lot (which also doubled as a playground: here one could find a basketball court, for example), bordered by the school to the right and a large field to one's left. This field had a baseball diamond and a very large rock (my friends and I would often play on this rock, using our imaginations to transform it into a time machine or spaceship), and it was surrounded by a small forest known as the Booth Pond Conservation Area. On the southeastern perimeter of this field (not far from the big rock) was a small (and supposedly haunted) hill that rose up into the forest, and the top of that hill was forbidden territory, though of course, one always saw the older kids sneaking up there (I myself finally ventured to the top of the hill in 2020 . . . but that's a story for another day). 

As for Bernon Heights Elementary School, there isn’t much to say about the building itself, other than that it consisted of two stories and was made up of light brown bricks. When you stepped through the front doors, you found yourself in a sizeable foyer. To one’s right was the small school library, and a hallway that led to the 1st, 2nd and 3rd grade classrooms. Directly facing the front doors was the cafeteria and the kitchen, this cafeteria serving double duty as the school auditorium (on one wall of this cafeteria there was a poster concerning first aid for people that were choking, and this poster always creeped me out, thanks to its illustration of a choking mustachioed man with a face that was a pale blue hue). To one’s right was the principal’s office, the kindergarten classroom, and a long hallway that led north, flanking the cafeteria (lining this hallway were the preschool classrooms). If you went up this vertical hallway you would eventually reach another long hallway, though this one was horizontal. Taking a left here would take one to the 5th and 6th grade classrooms, while taking a right led to the 4th and 5th grade classrooms, the Special Education classroom, and the boiler room. In this northern hallway one could also find the school gym. When I was in the 4th grade, my classroom was Room 2, which was located at the very end of the northeastern perimeter of this long hallway, in the fourth and fifth grade quadrant. I’m not going to tell you what the interior of this classroom was like because I no longer remember. I suppose that Bernon Heights was an okay school, but it couldn’t hold a candle to my own home.


In August of 1989, just a month or so before I began the 4
th grade (and around 2 months before I made my debut as a thespian: again, a story for another day), my family and I moved into a new house. This new house of ours was located on the east side of Bernon Park, in the Bernon Heights neighborhood: in fact, we were literally only one street away from the park’s eastern perimeter. I call it a new house, but it had actually been built in 1952, which meant that by the time we had moved into it it had already been around for 37 years. It was a small 2-story (plus a basement) single family home done in the Cape Cod style, with an asphalt roof. The lot the house could be found on was 5,039 square feet, with the house taking up about 1,824 of those square feet; the remaining 3,215 consisted of a large field located behind the house, where my siblings and I enjoyed playing when we were kids (there was also a small lawn at the front of the house). On the first floor one could find a sunporch (connected to which was the garage), a kitchen/dining room, a living room, a den, a bathroom, and a spare room that served as a playroom for my siblings and I. On the second floor there was another bathroom, my parents’ bedroom, and a bedroom for me and my siblings (we slept in bunkbeds back then). Though after a couple of years had gone by my parents ended up converting the playroom into their bedroom, with the two bedrooms upstairs now being split up between my siblings and I, two to a room: one of these rooms I still occupy, all these years later. Our new home was only a few blocks away from Bernon Heights Elementary School: literally less than a mile on foot, really.

Our old home, where I had spent the first 9 or so years of my life, had been located on the west side of Bernon Park, and not far from Park Avenue. That had been a much older house, as it was built in 1922. It had also been a much smaller house, with a tiny backyard and only a partial basement. I remember that the first floor consisted of a living room, a small eat-in kitchen, a bathroom and a spare room, while two bedrooms were located on the second floor. I remember that in one corner of the living room there was one of those giant old television sets, the kind where they were built in enormous wooden cabinets, and how a small bookcase was located to the side of this television, this bookcase belonging to my mother: some of the novels that could be found on it back in the day were Lee Raintree’s Dallas, Stephen King’s Carrie, William Blatty’s The Exorcist, and Sylvia Plath’s The Bell Jar.

My memories of our old house are somewhat hazy. In some ways there was something about the place I found very frightening. The basement especially terrified me. It was small, dark and gloomy, and there were these spooky paintings of creepy-looking faceless people in exquisite garments that the previous owner had painted on the walls. I remember there was also a very large hole in the center of one of the walls, and how as a child I had fantasized that this hole was a gateway to Hell itself: it probably didn’t help matters that my parents warned me to never stick my hand into that hole. This basement also figured into many of my nightmares: as I’ve grown older its very rare that I have bad dreams anymore but during my childhood in the 1980’s I was especially prone to nightmares. I remember my dad had a paperback copy of Robert Silverberg’s 1980 fantasy novel Lord Valentine’s Castle. On the book’s spine there was this sinister-looking man with blue skin who I would always refer to as “The Man With the Blue Face” (my dad would tell me the character’s real name, but I could never remember it). Anyway, this “Man With the Blue Face,” well, he terrified me, to the extent that my dad had to hide this book on his bookshelf behind another book. I can probably safely say that this Man With the Blue Face probably appeared in around 50% of my childhood nightmares. This was one that occurred often: in the nightmare, I’d be lying in bed in my bedroom when I’d hear a voice call my name. Thinking it was my parents, I would go to the top of the stairs and look down. And almost every time, it would be the Man With the Blue Face standing at the bottom, waiting for me. I would find myself unable to run as he charged up the stairs. He’d grab my ankles and then yank me down the stairs. Then he would drag me along the hallways of the house until we came to the door that led to the basement. The Man With the Blue Face would swing open the basement door and start pulling me down the stairs. Then the basement door would slam shut and I would wake up, usually screaming for my mother.

(The Man With the Blue Face)

A variation on this dream had me getting dragged down to the basement by members of the Swiss mask theater troupe known as Mummenschanz. Now, you might be curious as to how it was that a young boy living in Woonsocket, Rhode Island in the early 1980’s was familiar with the work of Mummenschanz. Well, they appeared in the last episode of the first season of The Muppet Show, and my siblings and I were great fans of that program when we were kids. Though I hated that Mummenschanz sketch: I believe you can still see it for yourself on YouTube at the following link: https://www.youtube.com/watch?v=xe95sn0cN3k).

A year after we moved away from that old house, a murder took place at a home on the street right next to our former street. In September of 1990, Catherine Miguel was murdered in broad daylight by her estranged husband John, stabbed to death 30 times on the front lawn of her home, before the eyes of their 6 and 11 year-old children, a 15 year-old babysitter, and numerous local  kids who had gotten out from school minutes before and were walking back home (one of my friends saw the whole thing). Events like that can stain the psychic atmosphere of a place for generations. If that neighborhood has a tutelary guardian, it is no doubt a vulturine and invidious spirit.


Saturday, August 6, 2022

Memories, Dreams, Reflections 3: The Embryonic Auteur

 

Most people have heard of the cliché that most boys want to be firemen or astronauts when they grew up, but when I was in grade school, my greatest desire was to be a moviemaker. My heroes in that regard were George Lucas and Steven Spielberg (hey, what do you expect, it was the Eighties). The first movie I ever saw in theaters was the third Star Wars movie, Return of the Jedi, in 1983, during its initial theatrical release. I must have been around 3 or 4 years of age at that point, and my memory of going to the movies that evening are very hazy. I almost certainly had no idea what was going on, but I do remember the scenes of the Ewoks celebrating in the forests of Endor at the end (I would just like to say that I loved the Ewoks back then and that I still do now; I’ve never understood the hatred they generate amongst some members of the Star Wars fan base. Of course, my favorite character in the original trilogy was the alien informally known as Hammerhead who appeared in the cantina scene in the first Star Wars film; years later I found out that his real name was Momaw Nadon. I also had a soft spot for the Rancor monster. I even had the original Rancor action figure, and it had a lever built into its spine that you could use to make its jaw move up and down: during the 9th grade I went through a spell where I decided to take up ventriloquism and I would employ this old Rancor action figure as my ventriloquist’s dummy… for some inscrutable reason, my nickname for it was “Stanley”). 

But enough about Rancor Ventriloquism. Aside from the Star Wars franchise, some other films I liked from that era that were associated with Lucas and Spielberg included the Indiana Jones films and also The Dark Crystal. Words cannot really describe just how obsessed I was as a kid with The Dark Crystal. The Skeksis utterly fascinated me, and the ending of the film, in which the Mystics and the Skeksis elide into a new race, left me spellbound. This was my introduction to the concept of the Union of Opposites, and perhaps was what inspired me to begin studying Alchemy during my adult years. I should say I had other favorite films not associated with either Lucas or Spielberg. I also adored the Ghostbuster films, and also had a great fetish for black and white Japanese monster movies, with the Godzilla films in particular being favorites (of which I'll speak more about later).

However, this dream of becoming a filmmaker was a somewhat nebulous one, and I only had a very slight grasp on just how films were made, or even specific ideas for what my films would be. But I knew that I wanted to direct both big budget monster movies and also epic sci-fi space operas, with storylines that mixed up scenes of space battles with themes of cosmic mysticism. When I was in the 3rd grade (during the years 1988-1989), I wrote out the following for a school assignment (apologies ahead of time for the poor spelling):

“When I Grow Up”

When I grow up I want to be a movie maker.

I would make the best movies ever made.

Thell be so relistic they would hit the jackpot!

I would win 10000 dollars.

The character’s in the movie that’ll hit the box office!

Yay!

Not to mention the books!

Ill be famos!

Yes, that’s what I want to be.

Stapled beneath this declaration is another piece of paper, on which I drew an illustration of a screening room of a movie theater, done in crayons. On the lower right-hand side of this illustration there is a man manipulating a film projector, while on the screen itself a crudely drawn green dinosaur (obviously modeled after Godzilla: I even wrote out the word ‘Godzilla’ in erratic green letters above his head) is destroying a city and breathing out red flames. Seated before this screen there is an audience of equally crudely drawn stick figure people, including an orange-headed man wearing a top hat (from the top of which protrudes a flower) and holding a cane, and this nattily dressed theatergoer is exclaiming “it’s scary!” This type of illustration was quite common for me back in the day, for in my grade school era I would often draw scenes in which giant monsters were going about eating people and destroying cities. I can only wonder what my art teachers made of that… I imagine it's the sort of thing one could get in trouble for these days. 


On a related note, I can recall my siblings and I playing a Commodore 64 game called
Film Maker back in the mid-1980’s. Actually, calling it a “game” was a bit of a stretch. It was more like an electronic animation tool, put out in 1985 by Spinnaker Software, that let you create your own “movies.” First you selected a scene, which were more like scenic backdrops, and there were 13 of these: some of the options included a city, the sea, a forest, the moon, a living room, a castle, and a gas station. Next, you populated this scene with a variety of objects, such as men and women, robots, aliens, dogs, cats, automobiles, random shapes, and so on (these objects could be manipulated as well, with one being able to adjust their size and color: you could only have 8 objects per scene, though). Next one individually moved each object around the screen, tracing the route they would take for the finished film. Then one selected a song to accompany the film: there were 5 songs to choose from, somewhat twee electronic renditions of music from Tchaikovsky’s The Nutcracker: “March,” “Russian Dance,” “Dance of the Sugar-Plum Fairy,” and “Dance of the Reed Pipes” (the one exception was the fifth song, “Peter & the Wolf”). Also, text could be added to the bottom of the screen to give context to the action unfolding above. Finally, one could watch the scene they had created, and even save it to floppy disk afterwards. I made a number of 45-second “movies” using this program, mostly variations on giant robots/aliens/monsters attacking population centers, no doubt in a crude attempt to emulate the creature features I so enjoyed watching in those days. One of my favorite creations for this program was a film called “The Blob.” The backdrop used was that of a castle built on the side of a river, and I had taken the circle shaped object, made it gigantic, colored it green, and animated it bouncing around the city, crashing down atop miniature cars and people (and even a dog), while “Dance of the Sugar-Plum Fairy” played incongruously in the background (for the curious, the text at the bottom of the screen for this film read as follows: “READ ALL ABOUT IT! HUGE BLOB INVADES CASTLE”). This one I even posted onto YouTube in 2019:


https://www.youtube.com/watch?v=rddzc1RIcPE

By the time I got to the 6th grade and middle school I had begun losing interest in making films, and by  high school I had exchanged that dream for another: the dream of being a bigshot bestselling novelist. Yet in the 12th grade, my senior year at high school, I suddenly found myself briefly bit by the filmmaking bug again. At that time I had become very interested in the films of Quentin Tarantino (the first film of his I saw, Pulp Fiction, had been in November of 1997, though I had read the screenplay for the film back in June of that same year), and also 90’s indie films in general (for truly the 90’s were the golden years for indie films). For a short period of time I decided I would be an indie filmmaker. Deciding I should be a bit more professional about it, I began reading books on how to write screenplays, how to finance indie films, and so on. In the spring of 1998, a few months before I graduated high school, I even began work on a screenplay, though I never completed it (I began writing it in a big blue spiral-bound notebook on April 6th, 1998 and quit writing it sometime around April 12th: in that span of time I completed around 55 pages). Inspired by the crime films of Tarantino and the Coen Brothers, the name of this screenplay was Nurse Sharks, and it was essentially a rip-off of Tarantino’s Reservoir Dogs, in that it was a non-linear tale about a bank robbery gone wrong. The only twist I brought to this formula was that the bank robbers were all women. I can hardly hold this failed screenplay up as an example of good writing: there’s one particularly cliché scene where an older cop mentions how this will be his last sting, and how he’s looking forward to retirement and spending time with his family (which obviously is the kiss of death for such a character).

One thing I came to realize about filmmaking is that it can be a long, complicated process, one that involves working with many different people, and that one usually needs to have good social skills to succeed at such an affair. Being an incurable introvert, obviously such a career path would not be for me. However, anyone who has read any of my books can certainly see hints of this thwarted childhood ambition. In some ways being a fiction writer is a lot like being not only a film director, but also a scriptwriter, costume designer, set designer, even a soundman/composer. One gets to do it all, without the annoying hassle of working with other (ugh) people. 

Sunday, July 31, 2022

2022 Reading List Monthly Update: July

 Books read in July of 2022:

“Hieroglyphics and Other Essays” (Arthur Machen/edited by S.T. Joshi) 7-10-22 
“Sanctuary” (William Faulkner) 7-10-22 
“Stricture” (Isabelle Nicou) 7-15-22 
“Blood Meridian, or the Evening Redness in the West” (Cormac McCarthy) 7-18-22 *
“Berserk Deluxe 6” (Kentaro Miura) 7-24-22 
“The Liminal Zone” (Junji Ito) 7-25-22 
“The Time Traveller’s Guide to Medieval England” (Ian Mortimer) 7-28-22 
“A Medieval Book of Seasons” (Marie Collins & Virginia Davis) 7-29-22

-

2022 Reading List Total:

-

1. "Kingdom Come" (J.G. Ballard) 1-6-22
2. "Dune Messiah" (Frank Herbert) 1-21-22
3. "Nana" (Émile Zola) 1-24-22
4. "Introduction to Jungian Psychology" (C.G. Jung) 2-7-22
5. "Schoolgirl" (Osamu Dazai) 2-21-22
6. "Powers and Thrones: A New History of the Middle Ages" (Dan Jones) 2-25-22
7. "Rough" (Callum Leckie and Sailor Stephens) 2-27-22
8. "The Ironic Skeletons" (Colby Smith) 3-1-22
9. "Paradoxes From Hell" (Thomas Ligotti) 3-2-22
10. "Agitation" (Alexandrine Ogundimu) 3-3-22
11. "A Most Peculiar Book: The Inherent Strangeness of the Bible" (Kristin Swenson) 3-7-22
12. "The Stones of Muncaster Cathedral" (Robert Westall) 3-12-22
13. "Beyond the Mountains of Madness" (Brian Stableford) 3-18-22
14. "The Texas Chainsaw Massacre" (Josiah Morgan) 3-21-22
15. "The Topiary Cat: A Bushy Tale" (Richard Saunders) 3-22-22
16. "The Orchard Keeper" (Cormac McCarthy) 3-29-22
17. "A Shakespeare Motley: An Illustrated Compendium" (The Shakespeare Birthplace Trust) 4-5-22
18. "The Green Man" (Kingsley Amis) 4-10-22
19. "Berserk Deluxe Edition 1" (Kentaro Miura) 4-18-22
20. "Outer Dark" (Cormac McCarthy) 4-20-22 *
21. "When the Train Runs out of Tracks" (Tom Champagne) 4-22-22
22. "Heqet" (Brendan Connell) 4-23-22
23. "Berserk Deluxe Edition 2" (Kentaro Miura) 4-28-22
24. "Child of God" (Cormac McCarthy) 5-8-22 *
25. "The Temple of Gnide" (Montesquieu) 5-10-22
26. "Berserk Deluxe Edition 3" (Kentaro Miura) 5-13-22
27. "Road: a Postlapsarian Comedy" (Josiah Morgan) 5-16-22
28. "Zealous Immaculate" (Audrey Szasz) 5-20-22
29. "Berserk Deluxe Edition 4"(Kentaro Miura) 5-27-22
30. "Whimsical Tales" (Jean Printemps) 5-30-22
31. "The Assassins and Other Stories" (Marcel Schwob) 6-4-22
32. "Suttree" (Cormac McCarthy) 6-18-22
33. "Lazy Eyes" (James Nulick) 6-23-22\
34. "Berserk Deluxe Edition 5" (Kentaro Miura) 6-23-22
35. "The Driver's Seat" (Muriel Spark) 6-26-22
36. "Catholica: The Visual Culture of Catholicism" (Suzanna Ivanic) 6-28-22
37. “Hieroglyphics and Other Essays” (Arthur Machen/edited by S.T. Joshi) 7-10-22 
38. “Sanctuary” (William Faulkner) 7-10-22 
39. “Stricture” (Isabelle Nicou) 7-15-22 
40. “Blood Meridian, or the Evening Redness in the West” (Cormac McCarthy) 7-18-22 *
41. “Berserk Deluxe 6” (Kentaro Miura) 7-24-22 
42. “The Liminal Zone” (Junji Ito) 7-25-22 
43. “The Time Traveller’s Guide to Medieval England” (Ian Mortimer) 7-28-22 
44. “A Medieval Book of Seasons” (Marie Collins & Virginia Davis) 7-29-22  

*= book I have read at least once in the past
+= book I have read before, but not this reprint/edition/translation

Currently Reading: 

Friday, July 29, 2022

Memories, Dreams, Reflections 2: Self-Portraits




Before I continue on with my reminiscences on my youthful desire of becoming a filmmaker, I should provide some biographical details about myself. During the month of November in 1989, at the age of 9, I began keeping a short-lived “private journal” (that lasted up and till around Thanksgiving Day), and these were some of the traits I assigned to myself at the very start of the journal: “Juggles balls, artistic, mumbles a lot, eats spaghetti, sly as a fox.” In a bio poem written for school on February 9th, 1990, I described myself as “kind, weak, creative, silly,” portrayed myself as a lover of “sharks, drawing, parents,” and claimed that I often saw “messy rooms, bloody boys, and tasty food.” 



In 1991, when I was in the 5th grade, I typed out an even more elaborate autobiographical sketch (obviously done on one of the school computers, judging by the appearance of the font and the early 90’s clip art illustration of the planet Saturn in the upper right hand corner, Saturn being the home planet of my imaginary friend Hammerhead), which I shall now reproduce:




“James

Gross, weird, silly,

Smart

Brother of Tom, Bill, Andy

Lover of

Nintendo, drawing, and

Sharks

Who feels Smart, silly, sure

of himself WHO needs

Plastic surgeory, respect,

and laughs Who fears

Aids, cancer, and brain

tumors WHO gives, help

to friends, and good jokes

WHO would like to see

More gross things, more

work, and more food

WHO lives in Thundermist,

RHODE Island, Champagne”

Evidently I had some sort of weird food fixation in my younger years which now eludes my memory. I also find it odd that, in the above list of expressed fears, I neglected to mention bees, the one thing that scared me more than almost anything when I was a lad. They still terrify me.

In June of 1991, I completed the 5th grade and thus graduated from grade school. During the final days of my grade school experience I created an autograph folder, on the front of which was an illustration of the Waldo character (from Where’s Waldo? fame) walking around with an autograph book, surrounded by a motley assortment of vampires, aliens, red-skinned dwarves, knights, wizards, dragons, and other fantastical creatures and people, all of whom are seeking his autograph. I tried to get everyone in my classroom to personalize and sign this folder (even my teachers). One girl wrote down, “To a really weird kid.” Another girl wrote, “how sad can you get?” I don’t think the girls in my grade school liked me very much. Perhaps because I was prone to getting warts on my hands, and when such a thing happened I would sometimes chase the girls around the playground, trying to touch them with my wart, while they fled away, screaming.





Monday, July 25, 2022

Memories, Dreams, Reflections 1: The World of Er



“The memories of childhood have a strange, shuttling quality,

and areas of darkness ring the spaces of light.

The memories of childhood are like clear candles in an acre of night,

illuminating fixed scenes from the surrounding darkness.”

-Carson McCullers, “The Orphanage”



“Nostalgizing on one’s childhood memories is like handling a rose:

while it is pretty to the eyes and often smells divine,

one must be ever wary of the thorns prickling such recollections.

For behind the radiance of nostalgia is a shadow that can never be forgotten.”

-James Champagne, “The Fire Sermon”



The World of Er


“Welcome to the world of Er. Here are bakers, plumbers, and butchers. To be a member of Er, you must be a member of the Er club. You must join a baker, and make a cake to become a member of the world of Er. If you come from the Less world, you are useless, and can’t be a member.”

The above treatise is written on an old and wrinkled piece of white lined paper, in a child’s clumsy attempt to write in cursive, and remains untitled save for the date on which it was written, this date being January 26th, 1990. I was in the 4th grade at the time, and nine years of age, for my tenth birthday was in June of that year. No doubt this was a school creative writing assignment of some sort, and in all likelihood I probably forgot all about it a day or so after its composition. I know that as an adult I had completely forgotten about it, and it wasn’t until I stumbled across it on July 23rd, 2017, that I read it again, after all these years. Despite its childhood inanity, I now see what I wrote all those years ago as oddly (and accidentally) profound, in much the same manner that the sayings of young children are often unintentionally profound.

I found this old creative writing assignment (and many others like it) while going through a box full of my old grade school papers that my parents had kept in the basement of their home for years now (and it’s amazing to me how much of my old school papers were preserved: in this box I even came across old speech progress reports, as back in those days I had a slight stutter that required speech therapy). Also in this box were various drawings and illustrations I had done in those years, and reports I had written for assorted school science fairs, dealing with subjects such as the digestive processes of earthworms and examinations of theories related to the disappearance of the dinosaurs (for even in those days of old I had had an obsession with extinction events, an obsession that remains to this day). No doubt one day when I am gone all of these mementos from my childhood will face an extinction event of their own, and the thought of strangers disposing them as if they were nothing is a thought I find intolerable. That’s the tragedy of materialism; sooner or later it’ll always break your heart. But I shall now do my best to memorialize at least a few of these documents of juvenilia. I see these recollections as sort of literary Noah’s Ark, a barge of words constructed to rescue various childhood trinkets from the oblivion of Time.

And yet, there’s also a part of me that feels hesitant about looking back into my own past, for I suspect that my own childhood, like the childhood of the majority of the human race, is something that is both beautiful and dangerous at the same time, like a stained glass window depicting satyrs instead of saints. This window shines a light onto my childhood memories, but it is a twisted light from a twisted window.

I find it amusing that, when people look back at photographs of me from the 1980’s, they commented on what a happy child I seemed to be. Hell, sometimes even I look back at those photographs and think the same thing. But I’m just deceiving myself and falling for my youthful beautiful disguise. Truth is, fear and anxiety have been my perpetual handmaidens. And yet, as a child I was obsessed with the very things that terrify the majority of the human race: bugs, creepy crawlies, sharks, monsters, vampires, saurian abominations (or, to use the common vernacular, dinosaurs). It was almost as if, by trying to associate myself with such creatures, I was trying to keep fear itself away. And was it not Arthur Rimbaud who once stated, “But the problem is to make the soul into a monster?”

But to get back to the world of Er. At the time in which I first wrote about that fanciful world, I had no idea that I myself would one day become a member of it myself, in the form of a writer. Because back in that time of my life I belonged (or fancied I belonged) to other neighboring worlds, which is to say the world of Or (in that I desired to be a film director when I came of age) and possibly also the world of Ist (in that I also saw myself as an artist). But that's another tale for another day.

Saturday, July 9, 2022

Coming Soon

 For years now, I've mainly just used my writer's blog as a repository for my monthly reading list updates or for news related to my writing/publications (sadly those latter cases have become extremely infrequent over the last few years). Recently I've been thinking of new content I could add to it, and one thing I think I might start is a series of autobiographical memories and reminisces, sporadically updated "whenever I feel like it."


Generally speaking, when it comes to fiction, I don't plumb the depths of my own life for material (HARLEM SMOKE being one of the few exceptions, and of course, bits and pieces of my life/character sometimes appear in my stories, though sometimes in an oblique or disguised fashion). This is partly because I don't lead the most eventful/exciting life, but also because I find trying to sum myself up very difficult to do in the concise manner that narratives often require. But perhaps this strategy, blog entries on diverse elements of my past, might be the best way to tackle some of this material, in a way that would not be as ephemeral/transient as just posting about it on Facebook or whatever. 

Thursday, June 30, 2022

2022 Reading List Monthly Update: June

  Books read in June of 2022:

-

"The Assassins and Other Stories" (Marcel Schwob) 6-4-22
"Suttree" (Cormac McCarthy) 6-18-22
"Lazy Eyes" (James Nulick) 6-23-22\
"Berserk Deluxe Edition 5" (Kentaro Miura) 6-23-22
"The Driver's Seat" (Muriel Spark) 6-26-22
"Catholica: The Visual Culture of Catholicism" (Suzanna Ivanic) 6-28-22

-

2022 Reading List Total:

-

1. "Kingdom Come" (J.G. Ballard) 1-6-22
2. "Dune Messiah" (Frank Herbert) 1-21-22
3. "Nana" (Émile Zola) 1-24-22
4. "Introduction to Jungian Psychology" (C.G. Jung) 2-7-22
5. "Schoolgirl" (Osamu Dazai) 2-21-22
6. "Powers and Thrones: A New History of the Middle Ages" (Dan Jones) 2-25-22
7. "Rough" (Callum Leckie and Sailor Stephens) 2-27-22
8. "The Ironic Skeletons" (Colby Smith) 3-1-22
9. "Paradoxes From Hell" (Thomas Ligotti) 3-2-22
10. "Agitation" (Alexandrine Ogundimu) 3-3-22
11. "A Most Peculiar Book: The Inherent Strangeness of the Bible" (Kristin Swenson) 3-7-22
12. "The Stones of Muncaster Cathedral" (Robert Westall) 3-12-22
13. "Beyond the Mountains of Madness" (Brian Stableford) 3-18-22
14. "The Texas Chainsaw Massacre" (Josiah Morgan) 3-21-22
15. "The Topiary Cat: A Bushy Tale" (Richard Saunders) 3-22-22
16. "The Orchard Keeper" (Cormac McCarthy) 3-29-22
17. "A Shakespeare Motley: An Illustrated Compendium" (The Shakespeare Birthplace Trust) 4-5-22
18. "The Green Man" (Kingsley Amis) 4-10-22
19. "Berserk Deluxe Edition 1" (Kentaro Miura) 4-18-22
20. "Outer Dark" (Cormac McCarthy) 4-20-22 *
21. "When the Train Runs out of Tracks" (Tom Champagne) 4-22-22
22. "Heqet" (Brendan Connell) 4-23-22
23. "Berserk Deluxe Edition 2" (Kentaro Miura) 4-28-22
24. "Child of God" (Cormac McCarthy) 5-8-22 *
25. "The Temple of Gnide" (Montesquieu) 5-10-22
26. "Berserk Deluxe Edition 3" (Kentaro Miura) 5-13-22
27. "Road: a Postlapsarian Comedy" (Josiah Morgan) 5-16-22
28. "Zealous Immaculate" (Audrey Szasz) 5-20-22
29. "Berserk Deluxe Edition 4"(Kentaro Miura) 5-27-22
30. "Whimsical Tales" (Jean Printemps) 5-30-22
31. "The Assassins and Other Stories" (Marcel Schwob) 6-4-22
32. "Suttree" (Cormac McCarthy) 6-18-22
33. "Lazy Eyes" (James Nulick) 6-23-22\
34. "Berserk Deluxe Edition 5" (Kentaro Miura) 6-23-22
35. "The Driver's Seat" (Muriel Spark) 6-26-22
36. "Catholica: The Visual Culture of Catholicism" (Suzanna Ivanic) 6-28-22

*= book I have read at least once in the past
+= book I have read before, but not this reprint/edition/translation

Currently Reading: 

"Sanctuary" (William Faulkner) 
"Hieroglyphics and Other Essays" (Arthur Machen) 

Tuesday, May 31, 2022

2022 Reading List Monthly Update: May

 Books read in May of 2022:

-

"Child of God" (Cormac McCarthy) 5-8-22 *
"The Temple of Gnide" (Montesquieu) 5-10-22
"Berserk Deluxe Edition 3" (Kentaro Miura) 5-13-22
"Road: a Postlapsarian Comedy" (Josiah Morgan) 5-16-22
"Zealous Immaculate" (Audrey Szasz) 5-20-22
"Berserk Deluxe Edition 4"(Kentaro Miura) 5-27-22
"Whimsical Tales" (Jean Printemps) 5-30-22

-

2022 Reading List Total:

-

1. "Kingdom Come" (J.G. Ballard) 1-6-22
2. "Dune Messiah" (Frank Herbert) 1-21-22
3. "Nana" (Émile Zola) 1-24-22
4. "Introduction to Jungian Psychology" (C.G. Jung) 2-7-22
5. "Schoolgirl" (Osamu Dazai) 2-21-22
6. "Powers and Thrones: A New History of the Middle Ages" (Dan Jones) 2-25-22
7. "Rough" (Callum Leckie and Sailor Stephens) 2-27-22
8. "The Ironic Skeletons" (Colby Smith) 3-1-22
9. "Paradoxes From Hell" (Thomas Ligotti) 3-2-22
10. "Agitation" (Alexandrine Ogundimu) 3-3-22
11. "A Most Peculiar Book: The Inherent Strangeness of the Bible" (Kristin Swenson) 3-7-22
12. "The Stones of Muncaster Cathedral" (Robert Westall) 3-12-22
13. "Beyond the Mountains of Madness" (Brian Stableford) 3-18-22
14. "The Texas Chainsaw Massacre" (Josiah Morgan) 3-21-22
15. "The Topiary Cat: A Bushy Tale" (Richard Saunders) 3-22-22
16. "The Orchard Keeper" (Cormac McCarthy) 3-29-22
17. "A Shakespeare Motley: An Illustrated Compendium" (The Shakespeare Birthplace Trust) 4-5-22
18. "The Green Man" (Kingsley Amis) 4-10-22
19. "Berserk Deluxe Edition 1" (Kentaro Miura) 4-18-22
20. "Outer Dark" (Cormac McCarthy) 4-20-22 *
21. "When the Train Runs out of Tracks" (Tom Champagne) 4-22-22
22. "Heqet" (Brendan Connell) 4-23-22
23. "Berserk Deluxe Edition 2" (Kentaro Miura) 4-28-22
24. "Child of God" (Cormac McCarthy) 5-8-22 *
25. "The Temple of Gnide" (Montesquieu) 5-10-22
26. "Berserk Deluxe Edition 3" (Kentaro Miura) 5-13-22
27. "Road: a Postlapsarian Comedy" (Josiah Morgan) 5-16-22
28. "Zealous Immaculate" (Audrey Szasz) 5-20-22
29. "Berserk Deluxe Edition 4"(Kentaro Miura) 5-27-22
30. "Whimsical Tales" (Jean Printemps) 5-30-22

*= book I have read at least once in the past
+= book I have read before, but not this reprint/edition/translation

Currently Reading: 

"Suttree" (Cormac McCarthy) 
"The Assassins and Other Stories" (Marcel Schwob)